Article Archive for January 2010
The PRO 300 series of Kenko Teleplus teleconverters are designed specifically to be used with telephoto lenses. They work best with prime lenses of 100mm or more …
The koreaherald has posted an article about Samsung and their high hopes for the mirrorless interchangeable lens camera market. The target is 50% market share.
The Tamron 60mm f2.0 Di II Macro is unique in being the only f2 1x macro lens available for APS-C format DSLRs.
JOBO announces the Cube CF (68-in-1) and the Cube HUB (57-in-1) Multi-card Reader/Writer. Both the CF and the HUB model are available in black or white and feature an internal space capable of safely storing several media cards.
Liquid Image, a company which made a splash last year with diving masks featuring a built-in still and video camera, now has its lens trained on the ski slopes.
LAS VEGAS, USA: Following the success of its investment in the 3D epic Avatar, which has generated over $1 billion in just 17 days, Panasonic has announced it will be releasing a twin lens camcorder this year.
January 5, 2009: Samsung has announced its addition to the new category of mirrorless interchangeable lens cameras with the long-awaited Samsung NX10, featuring a 14.6 megapixel APS-C-sized sensor, a crisp and bright AMOLED viewing screen, and HD movie capture capabilities.
ombining light from an off-camera flash with ambient (available) light—commonly referred to as using fill flash—is a technique you can use to capture the details often lost when a scene has sharp variations in contrast.
For the 3 people that read this website, you would have seen my comments on the so called leaked 2009/2010 Nikon Roadmap. It was really more of a mudmap, and it had a number of flaws.
Here is my predictions for the 2010 season. Some of it may not be up to what people think.
Every Nikon shooter or wildlife shooter has heard of Moose Peterson. He is a legend in the world of photography.
People behind the companies: An interview with Haike Guan from Ricoh.
A funny thing happened on the way to Joe McNally’s career as a newspaper photographer. He never got there.
“I found over the course of various calamities and twists and turns that I was better in the realm of my imagination,” Joe says, “and my imagination was very color-based, so I veered off into magazines.”
